Even though I had already done the best of the decade, I held off on doing 2009 until I saw just a few more flicks. So, in case you haven't had a chance to get out to theaters this year yet, THIS WEEK IS YOUR CHANCE, because the films nominated won't stick around too much longer after the awards next week. Obviously, any of the ten below I would recommend. As you'll see below, there are a few surprises and if any of you want to argue with me...go ahead. :) I purposefully left Precious off the list, only because it seems like one of those movies people won't be talking about in a few years. Already, it's not as widely discussed as it was. It features some good performances, but nothing else is going for it. Shocking movies are only that - shocking.
1. Inglorious Basterds
2. An Education
3. The Hurt Locker
4. Avatar
5. Up
6. Up in the Air
7. Julie and Julia
8. Star Trek
9. The Hangover
10. The Road
Sunday, February 28, 2010
Thursday, February 25, 2010
Some stinkers...
Here's the worst of the worst, in my opinion, top of the list labeled "What the hell were they thinking?" (Barring B-grade direct to video releases, especially the low-budget horror genre, for there would be no end to this.) There's no use ranking here.
Josie and the Pussycats (2000) - Although a funny and cynical look at the record industry, the film's attempt to target the brainwashing capabilities of pop music marketing was way too literal and the jokes suffered. Even a good satire would say, "Really?"
Cold Mountain (2003) - This just goes to show you not even the Academy can pick' em some of the time. Beautifully shot, with even some good performances, but painfully drawn out, with a story nobody enjoyed, and an anti-climax like no other movie this decade.
War of the Worlds (2005) - The lack of any explanation behind the alien invasion is not the issue here. It's the wooden acting from Tom Cruise, the same hash from Dakota Fanning we've all grown annoyed of, and the recycled special effects we saw in Independence Day. Spielberg was clearly on auto-pilot for this one.
Crossroads (2002) - A vehicle for a possible Britney Spears film career. Blah! The manufactured coming of age plot couldn't even rid itself of enough stereotypes to achieve normalcy. Was in theaters for a day I think.
Superman Returns (2006) - Who thought that doing a follow-up to the Christopher Reeve series with different actors was a good idea. It was painful watching Kevin Spacey play Lex Luther, and the story was so strange, even for a comic book movie. (Luther is creating his own continent.)
The Matrix Revolutions (2003) - The Wachowski's lost all touch with their fan base when they steered this movie off in a direction that no-trilogies should go. Their big budget bought them so many effects without any substance this time, and they did nothing new with Neo's character. The movie was a looooonnnngggg and loud action sequence, without any real actors, just a lot of machines. So much for the sci-fi trilogy masterpiece this was going to be. Did anyone understand the ending?
Pirates of the Carribean: Dead Man's Chest (2006) - A highly anticpated sequel, that suffered the same disease as the Matrix did -too many effects, too many plotlines. The characterizations were drowned and the humor was lost. It was flat and uninteresting.
Josie and the Pussycats (2000) - Although a funny and cynical look at the record industry, the film's attempt to target the brainwashing capabilities of pop music marketing was way too literal and the jokes suffered. Even a good satire would say, "Really?"
Cold Mountain (2003) - This just goes to show you not even the Academy can pick' em some of the time. Beautifully shot, with even some good performances, but painfully drawn out, with a story nobody enjoyed, and an anti-climax like no other movie this decade.
War of the Worlds (2005) - The lack of any explanation behind the alien invasion is not the issue here. It's the wooden acting from Tom Cruise, the same hash from Dakota Fanning we've all grown annoyed of, and the recycled special effects we saw in Independence Day. Spielberg was clearly on auto-pilot for this one.
Crossroads (2002) - A vehicle for a possible Britney Spears film career. Blah! The manufactured coming of age plot couldn't even rid itself of enough stereotypes to achieve normalcy. Was in theaters for a day I think.
Superman Returns (2006) - Who thought that doing a follow-up to the Christopher Reeve series with different actors was a good idea. It was painful watching Kevin Spacey play Lex Luther, and the story was so strange, even for a comic book movie. (Luther is creating his own continent.)
The Matrix Revolutions (2003) - The Wachowski's lost all touch with their fan base when they steered this movie off in a direction that no-trilogies should go. Their big budget bought them so many effects without any substance this time, and they did nothing new with Neo's character. The movie was a looooonnnngggg and loud action sequence, without any real actors, just a lot of machines. So much for the sci-fi trilogy masterpiece this was going to be. Did anyone understand the ending?
Pirates of the Carribean: Dead Man's Chest (2006) - A highly anticpated sequel, that suffered the same disease as the Matrix did -too many effects, too many plotlines. The characterizations were drowned and the humor was lost. It was flat and uninteresting.
Tuesday, February 16, 2010
Top 20 of the 2000's
While the 80s saw the rise of "New Hollywood", or the blockbuster film, such as Star Wars, Indiana Jones, and Back to the Future (to name the fab three), the 90s saw it's growth. Jaw dropping, entertaining, boundary defining films, featuring pulse pounding plots and emotional catharses, formulated to put asses in seats and rake in $, gained speed, then crashed and burned around the turn of the century when the audiences yelled, "Mercy!" Although, the last decade dished out a lot of the same tired faire, the movies that resonated either breathed life into an aging genre or "did something a little different," (a phrase heard almost overwhelmingly while leaving a multiplex in the last ten years) giving audiences something fresh to promote on the forums. So here's a look back at my top 20 of the 2000's, all who "did something a little different" as the catch phrase goes.
20) Gladiator (2000) - Ridley Scott helmed this epic historical drama, featuring Russel Crowe as a decorated Roman General, wrongly accused, and enslaved as a Gladiator. A bloody but true glimpse into the culture of "bread and circuses" in Ancient Rome. Wonderful set decoration and overall reconstruction of the time period.
19) Brokeback Mountain (2005) - Starring Heath Ledger and Jake Gyllenhall, as closeted homosexual lovers living a lie. The film is more than just a "gay cowboy movie" as it speaks volumes about the eternity of companionship. Ang Lee won Best Director.
18) The Bourne Ultimatum (2007) - The best of the trilogy in the Matt Damon amnesiac series, this one boasts visceral camerawork, pulse pounding and well crafted action scenes, and rock solid editing that will leave you breathless. Overall, an exciting and well executed film that re-defined how action movies should be made.
17) The Royal Tenenbaums (2001) - Although Wes Anderson follow-ups to this film were also noteworthy (Darjeeling Limited, Rushmore, and this years Fantastic Mr. Fox), Tenenbaums best promotes his tounge-in-cheek take on life's dullest and deepest dissapointments. Chronicling the few days in a family of has beens, Anderson's witty writing lays way for brilliant deadpan performances from Gene Hackman, Luke Wilson and Gwyenth Paltrow.
16) Finding Nemo (2003) - After reaching stride with Toy Story, A Bug's Life, and Monster's INC., this effort from Disney's Pixar truly hits it out of the park. The cast of sea dwelling charictures is rich and the story teems with humor for children and adults. Unforgettable, is memory impaired and loveable, Dory, voiced by Ellen DeGeneres, who kept us "talking whale" even through the DVD release.
15) Amelie (2000) - Audrey Tatou's international breakthrough role as the quirky and love sick Amelie Poulain, and Jean Pierre-Jeunet's masterful direction put both figures on the world cinema scene. How many people didn't pull the gnome prank on someone they knew? As charming and colorful as it was screwy, Amelie delivered a new blend to America's starving foreign film market.
14) Mystic River (2003) - Clint Eastwood films are never short of a swift quick to your crotch, and this one is no exception. Sean Penn and Tim Robbins both took home acting trophies for their performances as estranged best friends following two horrifying crimes. Themes of loss, redemption, and revenge make up this drama that set new standards for the "homicide film."
13) Casino Royale (2006) - When Pierce Brosnan dove off an iceberg, parasailing with his ejector seat cover (Die Another Day, 2002), we thought we heard the death rattle of the 007 franchise. Quite the contrary. After a four year hiatus, the producers returned with Daniel Craig, who breathed new life into the character, making him a little less self-assured, yet all the more human. The film itself cut out all the effects crap, and went back to the nail biting, espionage thrillers that worked in the Connery years. Critics and fans agree, this James Bond character study, was not only a fun suspense movie, but one of the better films of the decade.
12) Inglorious Basterds (2009) - According to the advertisements, most of us were expecting a senseless bloody romp, and to our surprise, we got a poignant, tragic, yet funny piece of historical fiction. The script boasts nothing short of Tarantino's brilliant sense of dialog, and Christoph Waltz's portrayal as the "Jew Hunter" will land itself on one of AFI's top villain lists soon.
11) UP (2009) - Pixar proved they could play with the big boys when this well polished CGI feature became the second animation nominated for Best Picture. A grumpy old man, grieving the loss of his wife, goes on the adventure he never had, meeting a slew of off the wall characters and animals. Kids will enjoy the thrill of the plot's ups and downs, while the parents will connect with the film's explanation of what it means to grow old together. Either way, there won't be a dry eye in the house.
10) Avatar (2009) - Reknowned for it's remarkable special effects and enthralling story, the film raised the bar for motion picture technology. It also features a surprisingly good performance for Zoe Saldana, who plays the Navi princess, and herione in the film. The second James Cameron movie to make bank.
9) Chicago (2003) - Rob Marshall dusted off the musical genre and showed everyone just how much they can be enjoyed today. From the films structure, choreography, catchy songs, and editing, all the way to the fine performances by Catherine Zeta - Jones and Renee Zellwegger, this movie re-vamped a dead genre and set off the chain reaction that followed. It has never been topped.
8) Bowling for Columbine (2000) - Michael Moore's second documentary focused his angst on the policies leading up to the Columbine tragedy. He weaves an intricate set of interviews, exposing a culture of fear and bigotry that leads to the American need to own a firearm. He took home the Best Picture oscar, and the footage of Moore berating Charlton Heston in his own home still resonates with viewers.
7) The Dark Knight (2008) - Christopher Nolan's follow up to Batman Begins is more of a crime drama than a comic book movie and features Heath Ledger's chilling performance as Batman's archnemesis, The Joker (for which he won the posthumous oscar). With wicked plot twists and a cast of A-list actors, the story explores the decisive nature of good and evil, and literally set a new standard for "super hero movies."
6) Little Miss Sunshine (2006) - With a heavy heart and a sense for dry, witty comedy, Johnathon Dayton and Valerie Faris put the dysfunctional family sit-com into the perfect "road film." The movie boasts a clever blend of heartbreak, loss, and redemption with perfect moments of slapstick humor, and it launched the careers of Steve Carrell and Abigail Breslin. Alan Arkin took home the Oscar as the beligerent granddad.
5) There Will Be Blood (2007) - The title of the film should be Daniel Day Lewis. Although his accent is a bit obscure, he could act his way into me believing he was wiggling his little toe in a rain boot. His rise as an early century oil tycoon and eventual descent into madness is both comic and horrifying. Paul Thomas Anderson also paints a good picture of an earlier California, now long forgotten.
4) Slumdog Millionare (2008) - On the set of Who Wants to Be a Millionare, a poor boy from the slums of Dubai, relives his life's most terrifying moments, memories that hold the answers to the questions in front of him, all the while searching for the love of his life. Bollywood composer A.R Rahman, contributed the award winning songs, and Danny Boyle carried a small camcorder through the Indian slums for authentic footage. Among questions of love and loyalty, is the ultimate question of fate.
3) The Lord of the Rings (2001-2003) - Peter Jackson's trilogy, (the only fantasy film to take home the Academy's most coveted prize), shot over three years in New Zealand, beatifully rebuilds Tolkien's Middle Earth. Entire towns were built, legions of extras were used, a thousand effects people helped develop Gollum, the character who inspired Cameron's Avatar. It was a filmmaking effort of monumental proportions, yet is as poetic, and moving as the source material. Cleaned up shop at the Oscars in 03.
2) City of God (2001) - Fernando Meirelle's first feature shot in the slums of Rio De Janero, follows an aspiring journalist parading through a life of crime and drugs. The expert editing chronicles the bleak and violent truth that is Brazil's City of God.
1) The Departed (2006) - A masterful crime drama, with fine performances from DiCaprio, Jack Nicholon, Matt Damon and Mark Wahlberg. It's the classic undercover police story flipped back and forth three time too fast, with jarring plot twists, violent shootouts, double crossings and solid editing from veteran Thelma Schoonmaker. The Departed was a return to form for Scorsese, and showed the viewing audiences that all had not been told in the way of crime dramas.
20) Gladiator (2000) - Ridley Scott helmed this epic historical drama, featuring Russel Crowe as a decorated Roman General, wrongly accused, and enslaved as a Gladiator. A bloody but true glimpse into the culture of "bread and circuses" in Ancient Rome. Wonderful set decoration and overall reconstruction of the time period.
19) Brokeback Mountain (2005) - Starring Heath Ledger and Jake Gyllenhall, as closeted homosexual lovers living a lie. The film is more than just a "gay cowboy movie" as it speaks volumes about the eternity of companionship. Ang Lee won Best Director.
18) The Bourne Ultimatum (2007) - The best of the trilogy in the Matt Damon amnesiac series, this one boasts visceral camerawork, pulse pounding and well crafted action scenes, and rock solid editing that will leave you breathless. Overall, an exciting and well executed film that re-defined how action movies should be made.
17) The Royal Tenenbaums (2001) - Although Wes Anderson follow-ups to this film were also noteworthy (Darjeeling Limited, Rushmore, and this years Fantastic Mr. Fox), Tenenbaums best promotes his tounge-in-cheek take on life's dullest and deepest dissapointments. Chronicling the few days in a family of has beens, Anderson's witty writing lays way for brilliant deadpan performances from Gene Hackman, Luke Wilson and Gwyenth Paltrow.
16) Finding Nemo (2003) - After reaching stride with Toy Story, A Bug's Life, and Monster's INC., this effort from Disney's Pixar truly hits it out of the park. The cast of sea dwelling charictures is rich and the story teems with humor for children and adults. Unforgettable, is memory impaired and loveable, Dory, voiced by Ellen DeGeneres, who kept us "talking whale" even through the DVD release.
15) Amelie (2000) - Audrey Tatou's international breakthrough role as the quirky and love sick Amelie Poulain, and Jean Pierre-Jeunet's masterful direction put both figures on the world cinema scene. How many people didn't pull the gnome prank on someone they knew? As charming and colorful as it was screwy, Amelie delivered a new blend to America's starving foreign film market.
14) Mystic River (2003) - Clint Eastwood films are never short of a swift quick to your crotch, and this one is no exception. Sean Penn and Tim Robbins both took home acting trophies for their performances as estranged best friends following two horrifying crimes. Themes of loss, redemption, and revenge make up this drama that set new standards for the "homicide film."
13) Casino Royale (2006) - When Pierce Brosnan dove off an iceberg, parasailing with his ejector seat cover (Die Another Day, 2002), we thought we heard the death rattle of the 007 franchise. Quite the contrary. After a four year hiatus, the producers returned with Daniel Craig, who breathed new life into the character, making him a little less self-assured, yet all the more human. The film itself cut out all the effects crap, and went back to the nail biting, espionage thrillers that worked in the Connery years. Critics and fans agree, this James Bond character study, was not only a fun suspense movie, but one of the better films of the decade.
12) Inglorious Basterds (2009) - According to the advertisements, most of us were expecting a senseless bloody romp, and to our surprise, we got a poignant, tragic, yet funny piece of historical fiction. The script boasts nothing short of Tarantino's brilliant sense of dialog, and Christoph Waltz's portrayal as the "Jew Hunter" will land itself on one of AFI's top villain lists soon.
11) UP (2009) - Pixar proved they could play with the big boys when this well polished CGI feature became the second animation nominated for Best Picture. A grumpy old man, grieving the loss of his wife, goes on the adventure he never had, meeting a slew of off the wall characters and animals. Kids will enjoy the thrill of the plot's ups and downs, while the parents will connect with the film's explanation of what it means to grow old together. Either way, there won't be a dry eye in the house.
10) Avatar (2009) - Reknowned for it's remarkable special effects and enthralling story, the film raised the bar for motion picture technology. It also features a surprisingly good performance for Zoe Saldana, who plays the Navi princess, and herione in the film. The second James Cameron movie to make bank.
9) Chicago (2003) - Rob Marshall dusted off the musical genre and showed everyone just how much they can be enjoyed today. From the films structure, choreography, catchy songs, and editing, all the way to the fine performances by Catherine Zeta - Jones and Renee Zellwegger, this movie re-vamped a dead genre and set off the chain reaction that followed. It has never been topped.
8) Bowling for Columbine (2000) - Michael Moore's second documentary focused his angst on the policies leading up to the Columbine tragedy. He weaves an intricate set of interviews, exposing a culture of fear and bigotry that leads to the American need to own a firearm. He took home the Best Picture oscar, and the footage of Moore berating Charlton Heston in his own home still resonates with viewers.
7) The Dark Knight (2008) - Christopher Nolan's follow up to Batman Begins is more of a crime drama than a comic book movie and features Heath Ledger's chilling performance as Batman's archnemesis, The Joker (for which he won the posthumous oscar). With wicked plot twists and a cast of A-list actors, the story explores the decisive nature of good and evil, and literally set a new standard for "super hero movies."
6) Little Miss Sunshine (2006) - With a heavy heart and a sense for dry, witty comedy, Johnathon Dayton and Valerie Faris put the dysfunctional family sit-com into the perfect "road film." The movie boasts a clever blend of heartbreak, loss, and redemption with perfect moments of slapstick humor, and it launched the careers of Steve Carrell and Abigail Breslin. Alan Arkin took home the Oscar as the beligerent granddad.
5) There Will Be Blood (2007) - The title of the film should be Daniel Day Lewis. Although his accent is a bit obscure, he could act his way into me believing he was wiggling his little toe in a rain boot. His rise as an early century oil tycoon and eventual descent into madness is both comic and horrifying. Paul Thomas Anderson also paints a good picture of an earlier California, now long forgotten.
4) Slumdog Millionare (2008) - On the set of Who Wants to Be a Millionare, a poor boy from the slums of Dubai, relives his life's most terrifying moments, memories that hold the answers to the questions in front of him, all the while searching for the love of his life. Bollywood composer A.R Rahman, contributed the award winning songs, and Danny Boyle carried a small camcorder through the Indian slums for authentic footage. Among questions of love and loyalty, is the ultimate question of fate.
3) The Lord of the Rings (2001-2003) - Peter Jackson's trilogy, (the only fantasy film to take home the Academy's most coveted prize), shot over three years in New Zealand, beatifully rebuilds Tolkien's Middle Earth. Entire towns were built, legions of extras were used, a thousand effects people helped develop Gollum, the character who inspired Cameron's Avatar. It was a filmmaking effort of monumental proportions, yet is as poetic, and moving as the source material. Cleaned up shop at the Oscars in 03.
2) City of God (2001) - Fernando Meirelle's first feature shot in the slums of Rio De Janero, follows an aspiring journalist parading through a life of crime and drugs. The expert editing chronicles the bleak and violent truth that is Brazil's City of God.
1) The Departed (2006) - A masterful crime drama, with fine performances from DiCaprio, Jack Nicholon, Matt Damon and Mark Wahlberg. It's the classic undercover police story flipped back and forth three time too fast, with jarring plot twists, violent shootouts, double crossings and solid editing from veteran Thelma Schoonmaker. The Departed was a return to form for Scorsese, and showed the viewing audiences that all had not been told in the way of crime dramas.
Tuesday, February 2, 2010
Oscar Predictions ---
Following, what is perhaps, the most underwhelming list of nominations, lending to what will be -no doubt - a boring and predictable show, I will push on and make my much needed predictions (and long over due update to this blog).
Back in August I was sure that both Invictus and Nine would be forces to be reckoned with, however, both now lie dead in the water. For Invictus, the thought of Clint Eastwood directing Morgan Freeman as Nelson Mandela, was more exciting than the flat, and somewhat predictable, finished product we saw in theaters. The general consensus is - this movie missed its mark. Why Eastwood tried to draw the plight of South Africa's rugby team as a metaphor for his governments conflict with racial integration is beyond anyone. It's just bad poetry. That's the kind of thing they tell you not to write a college essay about. Especially working with such great source material, I think everyone agrees a Mandela Apartheid movie would have been far more stimulating. And even with the expanison of the Best Picture category to ten nominations, the Invictus snub shows the Academy agrees too. Don't expect Freeman or Damon to walk away with a trophy.
As for Nine, I don't even know where to begin - especially for another film with such great potential. Was it the wasted talent? The Chicago formula rehash? The overall lack of plot? Or, the way it offends a gem of Neo-realism? Also, does anyone know what Nicole Kidman was doing in this movie? I still have only questions... (And for some reason Penelope Cruz was nominated)
By this time everyone knows what's been going on with James Cameron's Avatar, therefore, it's Best Picture nod, and slew of technical noms, aren't a surprise. The only thing standing in its way is The Hurt Locker. Directed by Katherine Bigelow (Cameron's ex wife), the film is most likely to send Oscar home with the first female director, but whether it will capture picture is a little more foggy. Her film boasts extreme suspense, a great performance by a leading actor (Jeremy Renner), and masterful use of the docudrama cinematographic style. Avatar, on the other hand, besides the Effects, showcases Cameron's obsessive attention to detail, and wonderful sense of story. Like I said, it's foggy who will win, but at least we have one "coin toss" to look forward to on Oscar night.
As for the wins we have to look forward to: Bullock will win over Streep. Her Golden Globe win helped, but Blind Side's picture nomination clinched it. For a film not even talked about as Best Picture material, her performance must have carried it that much. Plus, Streep has won twice, and the Oscars are always a little political. You can try to argue with me - but Sandra Bullock will win an Oscar this year.
Christoph Waltz for Supporting Actor. Besides the fact this is the best movie of the year in my opinion, this is also my favorite performance of the year and most voters seem to be agreeing. He's been the clear front runner from the beggining and has the Golden Globe to prove it.
Jeff Bridges for Actor. This one was decided a long time ago, there's no use debating.
Mo'Nique for Supporting Actress. (Same as above. It's pretty much done) BUT, seeing Gyllenhall nominated for Crazy Heart has me thinking...it's a little like the Sandra Bullock situation. For a dark horse nomination like this to occur, the Academy must really be itching to give her an award. We shall see.
And just to wrap things up, Inglorious Basterds got it's much deserved love with Picture, Director, Supporting Actor, and Screenplay nominations; A Serious Man (next Cohen Bros. masterpiece) squeaked into Best Picture, and Up became the second animated film to get the Best Picture nomination. Unless you care about the technical awards, I'm fairly confident the above will occur (and trust me, I'm happy to be proved wrong.) If not, just tune in to see who wins best picture.
Back in August I was sure that both Invictus and Nine would be forces to be reckoned with, however, both now lie dead in the water. For Invictus, the thought of Clint Eastwood directing Morgan Freeman as Nelson Mandela, was more exciting than the flat, and somewhat predictable, finished product we saw in theaters. The general consensus is - this movie missed its mark. Why Eastwood tried to draw the plight of South Africa's rugby team as a metaphor for his governments conflict with racial integration is beyond anyone. It's just bad poetry. That's the kind of thing they tell you not to write a college essay about. Especially working with such great source material, I think everyone agrees a Mandela Apartheid movie would have been far more stimulating. And even with the expanison of the Best Picture category to ten nominations, the Invictus snub shows the Academy agrees too. Don't expect Freeman or Damon to walk away with a trophy.
As for Nine, I don't even know where to begin - especially for another film with such great potential. Was it the wasted talent? The Chicago formula rehash? The overall lack of plot? Or, the way it offends a gem of Neo-realism? Also, does anyone know what Nicole Kidman was doing in this movie? I still have only questions... (And for some reason Penelope Cruz was nominated)
By this time everyone knows what's been going on with James Cameron's Avatar, therefore, it's Best Picture nod, and slew of technical noms, aren't a surprise. The only thing standing in its way is The Hurt Locker. Directed by Katherine Bigelow (Cameron's ex wife), the film is most likely to send Oscar home with the first female director, but whether it will capture picture is a little more foggy. Her film boasts extreme suspense, a great performance by a leading actor (Jeremy Renner), and masterful use of the docudrama cinematographic style. Avatar, on the other hand, besides the Effects, showcases Cameron's obsessive attention to detail, and wonderful sense of story. Like I said, it's foggy who will win, but at least we have one "coin toss" to look forward to on Oscar night.
As for the wins we have to look forward to: Bullock will win over Streep. Her Golden Globe win helped, but Blind Side's picture nomination clinched it. For a film not even talked about as Best Picture material, her performance must have carried it that much. Plus, Streep has won twice, and the Oscars are always a little political. You can try to argue with me - but Sandra Bullock will win an Oscar this year.
Christoph Waltz for Supporting Actor. Besides the fact this is the best movie of the year in my opinion, this is also my favorite performance of the year and most voters seem to be agreeing. He's been the clear front runner from the beggining and has the Golden Globe to prove it.
Jeff Bridges for Actor. This one was decided a long time ago, there's no use debating.
Mo'Nique for Supporting Actress. (Same as above. It's pretty much done) BUT, seeing Gyllenhall nominated for Crazy Heart has me thinking...it's a little like the Sandra Bullock situation. For a dark horse nomination like this to occur, the Academy must really be itching to give her an award. We shall see.
And just to wrap things up, Inglorious Basterds got it's much deserved love with Picture, Director, Supporting Actor, and Screenplay nominations; A Serious Man (next Cohen Bros. masterpiece) squeaked into Best Picture, and Up became the second animated film to get the Best Picture nomination. Unless you care about the technical awards, I'm fairly confident the above will occur (and trust me, I'm happy to be proved wrong.) If not, just tune in to see who wins best picture.
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